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Azra Naqvi from Aligarh, India, a notable fiction writer, a definite poetess, a journalist, a social employee, a public speaker, and an out of the habitual convener of cultural programmes, now residing in Riyadh, Saudi Arabia, has satisfactory in her inventive talent to explore the perfume of the exile life. Through her short stories in Urdu, Azra Naqvi is on the monitor of a painful inventive journey in the perfume of exile. Her exile is not a pressured exile in place of a self-imposed exile, which has turn out to be her fate for more than twenty-five years. She lived in Canada and Saudi Arabia with her husband Dr.Pervez Ahmed who could be a outstanding poet and a Software Scientist. He is working as a Professor in the Department of Software Engineering in King Saud University, Saudi Arabia.
In the collection of her short stories When courtyard became strange [Aangan Jab Perdes Hua] she has walked around her experiences with exile life. The definition of the exile life is practically controversial, and it could lift many questions. Exile not just means a physical disappearance from the loving instances in place of it has virtual meanings. The physical disappearances does not appear as important for a person to be in exile, in place of he or she is likely to be in exile in his own land or even in his own abode. The optimum typical factor in the exile life is the detachment with the things we like optimum or lack of love and recognition from our nearest. Sufferings and deprivations are nothing more but exile. A lover who has missed his beloved lives always in exile. A person dwelling with his own family could be simplest an exile life. A woman dwelling with her husband could be in exile. The prisoners are always in exile. Therefore, wherever, we lack love we plunge in to exile.

In her story The guilty [Qusoorwar], she describes the disasters and the uncommon exploration of the human relation. When the dialectical attitude of the life with the support of its thoughtless wisdom creates a couple of nonsense investigation, then every matter returns to its basis. In the story Draft [Hundi], she explains the different shades of Indian life fashion. This is a merely short story but it covers more social and cultural aspects of the Indian society. In this story, the new face of the society seems with new secrets of its dialectical social norms.

Sometimes, the happenings in the story of Azra Naqvi end as any person all of a sudden snatches something from somebodys hands and runs away. This sort of unexpected circumstance will expand the readers interests and makes him take pleasure in for a few years. She has also pointed out the status of men and women and their rights and duties to one another. She intends to pour the identical feeling among women, which can assistance them in simplest their life successfully. In this bond, besides a storywriter she also appears like a Counselor.

Story Behind the Buganvilia [Buganvilia ki oot se] is a community-set up story. How a desert turns in to a residential area? How the residential components happen to be the hub of different social difficulties? How a new colony affects the feelings and techniques? How an individual likes to carry back his personal independence and his private thinking? How the civilization grows high? How an individual ignores different individuals like minded? There are scores of social difficulties that come below center of attention in this story. Professor Saqib [a character of this story] has planted the shrub of Buganvilia in front of his window, so that this can canopy the window and so his eyes let not take the glance of the rubbish exterior. At its constructional level, this story is a mock up on the society.

Her story Rain Cheque represents the suitable, significant, aesthetic, and inventive thinking in its cultural background. When she describes the suitable and significant logic of the life in her inventive mode, she describes a lot more about it. The complete story snap pictures a culture, that is the result of a couple of mixed and paradoxical attitudes of life, as it wonders its readers at sure concerns. Instinctively, we start to think, that to draw a separation line between the good and deficient why the life does not comes ahead to compromise with the contradictory instances. The story Rain Cheque represents the adjustments in values, individuals, moreover to in the human society.

[". . . You will leave all the stuff you love optimum: this is the arrow that the bow of exile shoots first. You will know the way salty yet another's bread tastes and how onerous it's to ascend and descend yet another's stairs . . ."]

The story Return Journey [Wapsi Ka Safar] is a reverent first-value story. Its subject is philosophical and factual. It defines, that to the human being, an extreme relation sets up with the memories of his past. He on no account forgets his childhood, his remembrance, his feelings, his own family, and his abode. These worthwhile remembrances canopy his existence. It will become the emotional asset of his life. Every moment his intellect works on those memories. Therefore, it emotionally hurts humankind when he leaves his land, his environment, and his likings.


Azra Naqvi wrote the story Return Journey on the identical subject that denotes the sensations of an exile life. In this story, we see each of the character dwelling at the level of his lesser likings. He on no account gets his internal support to live to inform the tale in the latest circumstance, nor does he do  by his own authority. Everybody has obtain his own unwillingness. The likings are traveling at one direction and the journey of life is going on different side. The technique of Azra Naqvi is to explore the compulsion of the exile life prior to the eyes of the readers. In between the lines, a hidden statement of the storywriter can easily be readable which inspires us to adjust with the awkward instances.

Her story, Two yards of Land [Do Gaz Zameen] represents the annoyance of life. Although, noted writers of our times have taken this subject as a source of inspiration of their fictions, but Azra Naqvi has designed this feeling as a live screen. She has portrayed the character of an educated antique woman whose two sons Murtaza and Irtaza are earning in Canada and Saudi Arabia. Now for the antique woman it's optimum complex to go by her times. Her husband has died in her native country. Now she is being aggravated of dwelling. She sleeps lately in the night, she on no account enjoys , she thinks continuingly on her death, and even more, what she thinks over is, that if she dies, from where the cash [which is approximately 8 to 10000] will come up to bury her? She imagines that, for the two yards of land, her son has to pay such a large amount. In its subject and presentation the story is of high-quality.

The great German philosopher Dante describes the pain of exile in The Divine Comedy:

In the stories of Azra Naqvi, we sense her profound religion up on the creativeness. This religion has evolved with the assistance of her knowledge and belief. There could be more difficulties of getting religion up on her own, or up on the different subjects of live and universe; she always keeps trying to modification the circumstance with strong determination and with a profound conviction. Her stories create a cultured sense in to the readers and make them stay gallant against the disappointment and hardships of life.

Azra Nqvi matches into the new generation of Urdu storywriters, which emerges after 1990 in the Arabian Gulf. Among women, two more names of the well built expatriate storywriters in Urdu, in the Arabian Gulf, after 1990 are Farhat Parven, and Trannum Riyaz.

Exile creates disappointment, and disappointment leads more effectively to understand the meaning of the life and death. Sadness deepens the sensation of creativity and shows us what others cannot see. Mrs Azra Naqvi confirms the disappointment of exile life through her awe-inspiring stories. She is the respectful upholder of the post-modern trends in literature. In her stories, we can view large amounts of of shades of the exile life. The canvas of her stories is immeasurable. In addition to the subject, fashion, and structure we find a colourful coated perfume of exile in all of her stories. She is more suitable and wise in preserving the timbre of her stories.

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